Showing work tagged with 'Site-specific'

A small square book rests upright at an angle, the spine reads: I WONDER: ART + CARE + DEMENTIA CATHY BUSBY AM. The cover of the book is white with abstract letter-looking outlines in green painters tape.

I WONDER: ART + CARE + DEMENTIA (2025)

I Wonder, wall-text painting, permanent installation, Art Metropole, Toronto

I Wonder (2021)

WE CALL, permanent installation, fabric, Upper Canada College, Toronto, 2018

WE CALL UCC (2018)

Synthesizing Sound and Protection at Curve/Diagonal (2017)

thirstDays (2017)

Acquired in 1964, installation, Confederation Centre Art Gallery, Charlottetown, PEI, 2014

Acquired in 1964 (2014)

Self-Help Book Library, Artspeak (2014)

WE ARE SORRY in Awalakenis II (2014)

ABOUT FACE: Portraits at Union Theological Seminary (2012)

Budget Cuts (2012)

About Face, 2012, Union Theological Seminary, interior installation, by invitation

About Face (2012)

BOLDSTEP HALF-LIFE (2011)

DRIVE IT LIKE YOU STOLE IT, Platform Gallery, 2011

DRIVE IT LIKE YOU STOLE IT - SORRY (2011)

PARKING GOTTINGEN ST. HALIFAX (2011)

Atrium (2010)

Inspiring (2010)

ATRIUM (2010)

WE ARE SORRY Winnipeg (2010)

INSPIRING is written in bold black sans serif font across the center of a small square card stock folder. The block title asserts itself as a statement while withholding the context in it’s plainness.

INSPIRING (2010)

24/7 AT WORK Aberdeen (2008)

YOUR CHOICE (2008)

Whatever I Like Beijing (2007)

BLOWBACK (2006)

24/7 AT WORK Halifax (2005)

With Apologies and Brushstrokes (2001)

Ten people of varying heights and genders stand in front of a gallery installation. Each one is wearing an oversized white or black t-shirt on top of their other clothes which reads ANNA LEONOWENS WAS A SUFFRAGIST in purple or green capital lettering. Cathy Busby stands in the middle of the line of folks smiling at the exhibition she and her staff put together.

ANNA LEONOWENS WAS A SUFFRAGIST (1987)