Showing work tagged with 'Exhibition'

UH-HUH / SORRY (2026)

TENXTEN (2025)

HORIZONS (2024)

PARKED (2024)

SUBSIDIZED (2019)

Cathy Busby + Garry Kennedy, ACTIVISM, ART EDUCATION AND PRINTED MATTER, organized by the Toronto Art Book Fair, at Grunt Gallery, Vancouver, 2017

ACTIVISM, ARTS EDUCATION, AND PRINTED MATTER (2017)

WE CALL (2017)

Intertribal Lifelines, installation, collaboration with Charlene Vickers, Ground Signals, Surrey Art Gallery

Intertribal Lifelines (2017)

WE ARE SORRY panel, detail, in Lalakenis/All Directions: A Journey of Truth and Unity, Belkin Art Gallery, University of British Columbia, 2016

WE ARE SORRY in LALAKENIS (2016)

ACQUIRED IN 1964 (2015)

SORRY POLITICIANS, Emerson Gallery, Berlin, 2014

SORRY POLITICIANS (Berlin) (2014)

Self-Help Book Library, Artspeak (2014)

Acquired in 1964, installation, Confederation Centre Art Gallery, Charlottetown, PEI, 2014

Acquired in 1964 (2014)

Budget Cuts (2012)

About Face, 2012, Union Theological Seminary, interior installation, by invitation

About Face (2012)

(DA BAO) (TAKEOUT) (2012)

BUDGET CUTS (2012)

DRIVE IT LIKE YOU STOLE IT, Platform Gallery, 2011

DRIVE IT LIKE YOU STOLE IT - SORRY (2011)

INSPIRING is written in bold black sans serif font across the center of a small square card stock folder. The block title asserts itself as a statement while withholding the context in it’s plainness.

INSPIRING (2010)

SORRY Whitehorse (2009)

BEIJING-VANCOUVER (2009)

SORRY Sydney (2008)

Whatever I Like Beijing (2007)

Totalled (2004)

TESTDRIVE (2002)

Testdrive (2002)

BULLDOZER (2001)

A black page of the left holds a column of white text separated with white horizontal lines, it reads: FACT OR FICTION: Robert Bean, Barbara Badessi, Bruce Johnson, Maureen Donnelly, Susan McEachern, David Middleton, Charlie Murphy, Geri Nolan. A white page on the right repeats this format with grey blocks, adding: Some points of view in contemporary Nova Scotian photography. Art Gallery of Nova Scotia, 3 March - 3 June, 1990. Cathy Busby, Guest Curator.

FACT OR FICTION (1990)

SO TO SPEAK (1988)

Ten people of varying heights and genders stand in front of a gallery installation. Each one is wearing an oversized white or black t-shirt on top of their other clothes which reads ANNA LEONOWENS WAS A SUFFRAGIST in purple or green capital lettering. Cathy Busby stands in the middle of the line of folks smiling at the exhibition she and her staff put together.

ANNA LEONOWENS WAS A SUFFRAGIST (1987)